Panel discussions to examine photographer’s influence and experiences
SEPTEMBER 23, 2016 | BY
“The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston” presented by the University of Mississippi Museum features 36 works from the fine art photographer in an exclusive exhibition of the museum’s permanent collection.
The exhibition, sponsored by Friends of the Museum, runs through Jan. 14, 2017. The public is invited to an opening reception from 7 to 9 p.m. Oct. 6.
To further highlight Eggleston’s remarkable color and black-and-white photographs, the museum will host a symposium Oct. 7 at UM’s Overby Center for Southern Journalism and Politics, featuring notable panelists across different disciplines.
“The University of Mississippi Museum and the Friends of the Museum are exceptionally pleased to present this convening of distinguished panelists and scholars, offering an exploration of the career and influence of the extraordinary William Eggleston,” said Robert Saarnio, the museum’s director.
The first panel at 10 a.m. will feature William Ferris, Maude Schuyler Clay and Megan Abbott, with Lisa Howorth as moderator. The second panel, at 2 p.m., with Ferris as moderator, will feature Emily Ballew Neff, Richard McCabe and Kris Belden-Adams.
The morning panel will approach Eggleston and his work from a perspective of those who have known him personally and have been significantly influenced by his images, Saarnio said.
“Enriched by anecdotes and personal reflections, the panel’s content will include consideration of formative influences and experiences, career highlights and the longitudinal development of an artist, as evidenced by this particular life in visual art and image-making,” he said.
“The afternoon panel will focus on the body of work across Eggleston’s career, with content including the influence of the work on the field of photography, its influence on other artistic and creative fields, the evolution of critical reception to Eggleston, how the work has had shifting meaning over time, and the meaning of the work today to contemporary audiences and contemporary practitioners.”
Howorth, a native of Washington, D.C., has called Oxford home since 1972. She and husband Richard Howorth opened Square Books in Oxford in 1979. After earning master’s degrees in library science and art history, she worked at UM as a reference librarian and an associate professor of art and Southern studies. She is editor of “The South: A Treasury of Art and Literature” and other books on Southern culture, writes for Garden & Gun and Oxford American magazines, and published “Flying Shoes,” a novel, in 2014.
Ferris is associate director of the Center for the Study of the American South and a history professor at the University of North Carolina. He is also the founding director of the Center for the Study of Southern Culture at UM, where he served as a faculty member for 18 years. A longtime friend of William Eggleston and a collector of his work, Ferris donated all pieces that are on display at the UM Museum. He has written or edited 10 books and will sign his new photography book, “The South in Color,” inspired by Eggleston, at 5 p.m. Oct. 7 at Square Books
Acclaimed photographer, first cousin and Eggleston protege Clay served as a consulting adviser for the exhibition. In 2015, Clay’s own photography collection of portraits titled “Mississippi History” was produced by German photo book publisher Steidl. The publisher discovered her photographs while working with Eggleston on the multivolume set “Chrome” (2011) and “Los Alamos Revisited” (2012). Clay was the 2015 recipient of the Governor’s Award for Excellence in Visual Arts.
Detroit native and author Abbott also guest curated the exhibition. As the 2013–2014 John and Renée Grisham Writer-in-Residence for the Department of English, she has drawn her own inspiration from Eggleston’s work. Abbott is an Edgar Award-winning author for her novels “Queenpin,” “The Song Is You,” “Die a Little,” “Bury Me Deep,” “The End of Everything” and “Dare Me.” Her latest novel, “The Fever,” was chosen as one of the best books of the summer by the New York Times, People Magazine and Entertainment Weekly and one of the best books of the year by several media outlets.
Neff, executive director of the Memphis Brooks Museum, spent nearly 20 years as curator of American painting and sculpture at the Museum of Fine Arts in Houston, where she organized numerous major exhibitions. Neff also served as director and chief curator of the Fred Jones Jr. Museum of Art at the University of Oklahoma.
McCabe, curator of photography at the Ogden Museum of Southern Art in New Orleans, has curated more than 30 exhibitions and is also a photographer whose work has been the subject of several exhibitions. He has also taught photography courses at Xavier University in New Orleans, the Pratt Institute in New York, Montclair State Institute in New Jersey and Fairfield University in Connecticut.
Belden-Adams, an assistant professor of art and art history at UM, earned a doctorate in modern and contemporary art history, specializing in the history of photography, at the City University of New York. Additionally, she earned an master’s degree in art history, theory and criticism from the School of Art Institute of Chicago. Belden-Adams is the editor of the book “Photography and Failure” (2017). Her scholarly work in art history and photography has been published by the Metropolitan Museum of Art and many journals.